Edutainment > Hu Xinqiao - born 1972

Mr. Hu Xianqiao
copyright Hu Xinqiao

In jeans and anorak, in the background the image of an industrial complex somewhere in Hubei province of China. The young man looks rather inconspicuous and a bit camera-shy. He is Mr. Hu Xinqiao whose works have become a symbol of an important trend in modern Chinese art, the alienation of the city dweller. The woodblock print 'City Series No. 1: Stretching' is discussed in detail in the standard book 'The Art of Contemporary Chinese Woodcuts' in an article contributed by An Bin, a famous Chinese artist himself.

Mr. Hu Xinqiao created the City Series in 1998, when he was only 26 years old.

First Impressions

City Series: Continuing, 1998 (detail)
copyright Hu Xinqiao

We received our first consignment of art prints by Hu Xinqiao in late 2006 - several woodblock prints and one lithograph. What astonished us immediately is the extremely fine rendering of these prints. The prints from the City series are made in woodblock technique. They are printed in black and white on a Chinese paper of thin to middle thickness. Edition sizes are 25 copies - signed, numbered, titled and dated by the artist in pencil.

Career

Mr. Hu Xinqiao was born in 1972 in Hanyang city of Hubei province. In 1995 he finished his studies of printmaking at Hubei Art Academy. The young artist is a member of Hubei Artists Association. Currently he works as a teacher at Hubei Art Academy.

Exhibitions

City Series: Continuing (detail)
copyright Hu Xinqiao

• 1994 - The lithograph "Circle" was shown at the 12th National Print Exhibition of China.
• 1994 - The lithograph "Specks on the Dark Sun" was shown at the 8th National Art Exhibition of China.
• 1995 The lithograph "Access series, No.3" won the outstanding student prize of the 3rd National College Print Exhibition, China.
• 1996 - The lithograph "Access series, No.1" was shown at the 13th National Print Exhibition of China.
• 1998 - The relief woodblock "City series, No.1: Stretching" was shown at the 14th National Print Exhibition. This woodblock was also shown at the 9th Hubei Art Exhibition, China.
• 2000 - The relief woodblock "Maize - The First Harvest" won the silver prize of the 15th National Print Exhibition. The same woodblock won the golden prize of Hubei Art and Photography Exhibition.
• 2003 - The relief woodblock "Fumed Leaves" was shown at the International Biennial Print Exhibition in Beijing, China.
• 2004 - The relief woodblock "Maize No.3" won the outstanding prize of the 10th Hubei Art Exhibition. The same year, this woodblock was shown at the 10th National Art Exhibition and was collected by Shenzhou Print Museum, China.
• 2005 - The lithograph "Maize No.4" was shown at the 17th National Print Exhibition and was collected by Guiyang Art Museum.

Alienation of the City Dweller

City Series No. 1: Stretching, 1998
copyright Hu Xinqiao

The following text is an excerpt from an article titled "Chinese Prints Between 1985 and 2000" written by famous Chinese artist An Bin, born 1962.

"Depicting the alienation of the city dweller and the alienating effects of his surroundings is a trend among many younger artists. These are the sentiments expressed in City Series No. 1: Stretching, a black-and-white print by a young Hubei artist, Hu Xinqiao, which was exhibited in Nanjing at the 14th National Print Exhibition in 1998."

"The composition centers on a road depicted in extreme perspective, with a chink of sky emerging from the black background. People are crowded on the narrow road; there is a throng of pedestrians, and among them a motorcyclist and a cyclist negotiating the path. At the front, a blindfolded young man leads a little girl. This is travel without a visual destination; the sense of uncertainty is enhanced by the black background which is suggestive of an unsavoury environment. "

"The message here is clear: amid the material prosperity of the city, the mutual enjoyment and reliance of the people can also create barriers to interaction between man and nature. Man cannot avoid the alienation from nature, he can only continue along his path not knowing whether he moves towards good or bad fortune. A powerful opposition is created by the placement of delicately cut realistic figures amidst a contrived background that is far removed from the three-dimensionality of reality, this encourages the viewer to meditate upon their own circumstances in life."

Page 100 of the book The Art of Contemporary Chinese Woodcuts.

Maize No. 4, 2004
copyright Hu Xinqiao

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